Making the Most of Practice Time

Regular practice is essential on any instrument and it is always a good idea to structure your practice sessions to ensure you are making the most of the time available. This worksheet covers the basics of how you should structure your time. On the last page of this worksheet is a Practice Schedule sheet for you to photocopy or as a guide to producing your own. While such a sheet is not essential using this or a similar system will serve as a reminder to what you should try to cover each practice session.

To practice you will need somewhere comfortable, away from distractions. Let anyone else in the house know you are practising and if possible see if they can stop you from being disturbed. Make sure you have everything you need before you begin - a tape recorder is always useful, as are any instruments you may use to produce backing tracks.

The amount of time you set aside for practice is up to you but remember a short practice session every day will benefit you more than a long session once a week. I have given the amount of time you should devote to each subject as a percentage rather than actual times. There is a certain amount of flexibility in these times but try to stick fairly close to them.


Warm Up - 5 %

At the start of the practice session it is important to warm up. There are two reasons for this, one being that it is important to warm your hands up gradually rather than trying anything too taxing straight away. The other reason is to help you concentrate on practising and getting your hands to work together. A warm up can be a few simple mechanical exercises, sometimes referred to as Calisthetics, or just strumming a number of simple chords.

Scales and Arpeggios - 10 %

While not the most exiting things to practice, scales and arpeggios are very useful for both familiarising yourself with common patterns on the fretboard and developing speed and accuracy. You can also practice the same scale in different areas of the neck to help you learn the notes on the fretboard. A metronome is a useful aid when practising scales. Set a metronome to a slow speed and try playing two notes per beat. Once you can play at one speed increase the speed very gradually and practice at that speed. You can keep a daily record of what speeds you have achieved and try to improve on them next time you practice.

Mechanical Exercises - 10 %

Mechanical exercises are those exercises used for developing technique. For example, you may use an exercise to improve hammer-ons and pull-offs or to help improve accuracy when string skipping. You can also use this time to develop new techniques or to work on problem areas. (see below).

Problem Areas - 10 %

From time to time you will come across a techniques that gives you problems. This may be something you have come across in a piece of music that you have got stuck on or something you feel is weak in your playing technique. Once you have mastered the basic technique you can then make it part of the mechanical exercises. If you notice any problem areas when practising make a note to work on them at your next practice session.

Improvisation - 15%

Practising improvisation regularly is important since so much lead and rhythm guitar playing relies on it. If you can, produce different backings to solo over. For example, record a short repeated chordal backing onto a tape machine (about 2-3 minutes long) and then practice soloing over it. Backing tracks can also be produced using sequencers or home keyboards. If you have the luxury of being able to record your improvisation you can listen back and review what you have done. This is a very good way of producing new musical material since you may find a phrase that sparks off a whole new piece. Try being adventurous in your choice of keys since it is important that you can play in all keys, not just the ones you find easy. Like scales, improvisation is a great way of learning the fretboard.

Music - 25 %

A large portion of your practice session can be used to work on any pieces you are learning. By leaving this until later in the practice session you should have worked on any problems you might encounter and also have got past some of the less interesting parts of practising. Music could be a whole piece of music or just a section such as a solo or an introduction. When practising any music try breaking it down into small sections rather than playing through the whole piece all the time. This way you can identify any problems and deal with them before moving on.

With solos it is best to work a phrase at a time or even, with longer phrases, to break them down into smaller sections. By using a recording of the solo you can listen to just a phrase, stop the recording and try and reproduce it straight away while you can remember how it sounds. Once you have learnt all the sections of a solo this way try to re-assemble it. If you start the solo from the beginning each time you will find yourself skipping over the sections you are unfamiliar with and just play the ones you find easy. Always listen to the phrasing closely for timing - music and tablature cannot notate "feel", for example a player slightly rushing or holding back on a passage.

Rotation Subject - 20 %

There will be some exercises that you feel you do not need to practice every session. With these subjects you could set up a rotation so you do them every few days. Subjects that are appropriate for this treatment include sight-reading, theory, transcribing or working on an article in a magazine. It is a good idea to have at least three rotation subjects to work through to keep you interested and so you can cover more material than you would with just your regular exercises.

Review - 5%

At the end of each practice session it is a good idea to review what you have achieved in this time and what you hope to achieve at the next. For example, if you found this sessions improvisation difficult you can make a note to try it again next time. Keeping notes will help you to gauge your progress and plan your future practice sessions.


Remember, this is only a guide to what you should try to practice - it is a good idea to vary your routine from time to time so you do not get bored with practising the same exercises in the same order. With a little organisation your practice sessions can be very productive and interesting rather than boring.


© 2002, Graham Nunn Guitar Tuition